We have a client that calls on us about
once a year to make some very cool pieces for his family. It turns
out that they (the entire family) are big fans of a particular band
that is “off grid”. And as such, this band has an entirely
different kind of following. Many of these followers will go from
place to place as the band pays different venues. The band has it's
own tee shirts, albums, cd's, and basically all sorts of merchandise
including their own tequila. Our client, Philip sends us what he
calls “glyphs” and gives us a few hints as to colors, type of
jewelry wanted and price range and then we “dress up” these
“glyphs". This year was a banner year for this project. We were
allow a generous budget and the choice of materials was wide open.
Susan, his wife was to get a necklace
and seashell and the “glyph” were the only parameters given.
Well I have always wanted to work in Paua shell inlays. The Paua
shell is really the colorful iridescent inside area of an abalone
shell. I wanted to use the greens and blues often found in this
enticing material.
I had to do a lot of research in a
hurry to know what was needed and what the procedure was for turning
the chunky abalone shell into the fine thin colorful inlay material I
needed. As it turns out, the dust created when you grind away the
over burden from the shell is very toxic. Please do not try this
without a through investigation. I found the technical staff at RioGrande an invaluable resource for many of the aspects of this
project.
After building the center element using
a curved sided triangle as a focal element I then finished the tedious
process of the inlay. I then covered this element with the “glyph”.
All that was needed now was the stringing of the “Raven's Wing”
pearls and the sterling letter blocks. The overall effect was rich
and almost intoxicating not entirely unlike that of an exotic dark chocolat (apologies to Joanne Harris).
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